Presenting JANE EYRE

je-final-graphicFour years ago all for One staged Jane Austen’s Emma, a literary classic. For the first time, our cast members actively participated in the research process, and the result was so much valuable material that afO created a blog site, Creating Emma, on which to house it. Our audience expressed interest in reading the extended dramaturgy. Ultimately we created this blog, all for One: Behind the Scenes, in order to present a fuller version of our research, production design process, etc. for our audience’s enjoyment and future reference.

This week we have begun to work on our 2016 season finale, an original adaptation of a giant of classic British literature:  Charlotte Brontë’s Jane Eyre.  Over the course of the next two months, we will be publishing a number of research articles contributed by cast members, for your pleasure and edification…and in anticipation of the opening of Jane Eyre on April 29.

Here, first of all, is the cast, most of whom play multiple roles. An asterix indicates an afO Home Stage debut.

(ALPHABETICAL ORDER):

Dambra, Deborah*

AUNT REED
LADY INGRAM
HANNAH

Dunlap, John

COLONEL DENT
MINISTER
CRAWFORD

Fritz, Evan

HENRY LYNN
ST. JOHN RIVERS

Hobson, Sarah*

ADELE VARENS

Hodgin, Sarah*

JANE EYRE

King, Brittany*

MRS. FAIRFAX
ROSAMOND

Kuster, Stacey

BERTHA ROCHESTER

Moore, Jadon

BROCKLEHURST
SURGEON
BRIGGS
JACK

Newman-Aumiller, Christine

BESSIE
GRACE POOLE

Plohr, Jordan*

EDWARD ROCHESTER

Ramsour, Abbey*

LEAH
HELEN BURNS

Ramsour, Lydia*

YOUNG JANE
ALICE

Rothenbush, Jennifer*

BLANCHE INGRAM
MARY RIVERS

Salisbury, Jeff

MASON
BABBAGE

Steffen, Molly*

AMY ESHTON
DIANA RIVERS

Wilder, Ben

YOUNG JOHN REED
SILAS

 

 

 

The music of Laura Ingalls Wilder’s era

Songbook imagePlaywright Laurie Brooks suggests using traditional 19th century music to enhance her play, A Laura Ingalls Wilder Christmas. And she points to a valuable resource, a compilation of all the songs mentioned in Wilder’s Little House books. The Laura Ingalls Wilder Songbook presents a comprehensive collection of folk tunes from the 1800s in America. Some are silly, many are familiar, but a few have slipped through the cracks of culture and been forgotten.

One of these, “Where There’s a Will, There’s a Way” (words and music by Henry Clifton, 1867), Brooks has adopted as the unofficial theme for her play about a difficult time in Laura’s early life. Her parents were struggling to make ends meet, and had left the familiarity of farming for life in town. Perseverance was a hallmark of Charles and Caroline’s lives, and so this little some about contentment and hope is very appropriate. Our audience will hear it played or sung several times in the course of the play. Here is verse one and the chorus:

This life is a difficult riddle,
for how many people we see
with faces as long as a fiddle
that ought to be shining with glee?
I am sure in this world there are plenty 
of good things enough for us all.
And yet there’s not one out of twenty,
but thinks that his share is too small.

Then what is the use of repining
for where there’s a will there’s a way.
And tomorrow the sun may be shining,
although it is cloudy today. 

LIWC Pa and Laura

Pa (Evan Fritz) consoles Laura (Maddie Gerig) who is ‘repining’…

Other songs used instrumentally are:  “In the Sweet By and By” (words by S. Fillmore Bennett; music by J.P. Webster, 1867), which opens the play as the family stand around Baby Freddy’s grave;  “Deck and Halls” and “Silent Night”–used for scene changes or pantomime; “Paddle Your Own Canoe” (words and music by Henry Clifton, 1867)–heard played on the tavern piano in the three “soundscapes” depicting life in the hotel. Additionally, several songs will be sung:  “The First Noel”–Mary and Laura are practicing for a Christmas Eve service;  “Oft in the Stilly Night” (words by Thomas Moore, music: traditional Scottish, 1815)–a sad song sung as a sort of wistful lullaby by Ma and Mrs. Starr; and “Merry, Merry Christmas” (words and music by Mrs. T.J. Cook, 1871)–a lively piece whose rollicking chorus and hymnlike verses will be unfamiliar to the audience. It perfectly portrays the joy the family feels at the end of the play:

Why should we so joyfully sing with grateful mirth?
See, the Sun of Righteousness beams upon the earth!

Merry, merry Christmas ev’rywhere!
Cheerily it ringeth through the air.
Christmas bells, Christmas trees,
Christmas odors on the breeze.
Merry, merry Christmas ev’rywhere!
Cheerily it ringeth through the air.

Garth Williams' illustration for a Christmas tree in one of Wilder's books

Garth Williams’ illustration for a Christmas tree in one of Wilder’s books